Focal dystonia: Difference between revisions

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== <span style="line-height: 1.5em;">Introduction</span> ==
== <span style="line-height: 1.5em;">Introduction</span> ==


Dystonia is defined as an involuntary contraction of the agonistic and antagonistic muscles, which can lead to repetitive involuntary movements and/or abnormal positions, most common in the hand (known as Focal Hand Dystonia). The affected population includes individuals who require repetitive movements on their regular daily life; one of the most affected populations are the musicians and professional writers&nbsp;<ref name="Aranguiz et al. (2011)">Aranguiz, R., Chana-Cuevas, P., Alburquerque, D., &amp;amp;amp;amp;amp;amp;amp;amp; Leon, M. (2011). Focal dystonia in musicians. Neurologia, 26(1), 45-52. doi: 10.1016/j.nrl.2010.09.019</ref>. In the European and American population Focal dystonia varies its prevalence between 3 and 29.5 per 100.000 inhabitants&nbsp;<ref name="Aranguiz et al. (2011)" /><ref name="Defazio et al. (2004)">Defazio, G., Abbruzzese, G., Livrea, P., &amp;amp;amp;amp;amp;amp;amp; Berardelli, A. (2004). Epidemiology of primary dystonia. Lancet Neurol, 3(11), 673-678. doi: 10.1016/s1474-4422(04)00907-x</ref>. Inside musicians dystonia it is estimated that of all musicans, 0.5&nbsp;% to 1% suffer from some form of focal dystonia&nbsp;<ref name="Aranguiz et al. (2011)" /><ref name="Jabusch et al. (2005)">Jabusch, H. C., Zschucke, D., Schmidt, A., Schuele, S., &amp;amp;amp;amp;amp;amp;amp; Altenmuller, E. (2005). Focal dystonia in musicians: treatment strategies and long-term outcome in 144 patients. Mov Disord, 20(12), 1623-1626. doi: 10.1002/mds.20631</ref>. This figures are highly variables if we individualize each case, depending on the instrument and the effort required on each performance; for instance the difference between a rhythm and a soloist guitar player.  
Dystonia is defined as an involuntary contraction of the agonistic and antagonistic muscles, which can lead to repetitive involuntary movements and/or abnormal positions, most common in the hand (known as Focal Hand Dystonia). The affected population includes individuals who require repetitive movements on their regular daily life; one of the most affected populations are the musicians and professional writers&nbsp;<ref name="Aranguiz et al. (2011)">Aranguiz, R., Chana-Cuevas, P., Alburquerque, D., &amp;amp;amp;amp;amp;amp;amp;amp;amp; Leon, M. (2011). Focal dystonia in musicians. Neurologia, 26(1), 45-52. doi: 10.1016/j.nrl.2010.09.019</ref>. In the European and American population Focal dystonia varies its prevalence between 3 and 29.5 per 100.000 inhabitants&nbsp;<ref name="Aranguiz et al. (2011)" /><ref name="Defazio et al. (2004)">Defazio, G., Abbruzzese, G., Livrea, P., &amp;amp;amp;amp;amp;amp;amp;amp; Berardelli, A. (2004). Epidemiology of primary dystonia. Lancet Neurol, 3(11), 673-678. doi: 10.1016/s1474-4422(04)00907-x</ref>. Inside musicians dystonia it is estimated that of all musicans, 0.5&nbsp;% to 1% suffer from some form of focal dystonia&nbsp;<ref name="Aranguiz et al. (2011)" /><ref name="Jabusch et al. (2005)">Jabusch, H. C., Zschucke, D., Schmidt, A., Schuele, S., &amp;amp;amp;amp;amp;amp;amp;amp; Altenmuller, E. (2005). Focal dystonia in musicians: treatment strategies and long-term outcome in 144 patients. Mov Disord, 20(12), 1623-1626. doi: 10.1002/mds.20631</ref>. This figures are highly variables if we individualize each case, depending on the instrument and the effort required on each performance; for instance the difference between a rhythm and a soloist guitar player.
 
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== Mechanism of Injury / Pathological Process<br>  ==
== Mechanism of Injury / Pathological Process<br>  ==

Revision as of 17:52, 8 April 2014

Introduction[edit | edit source]

Dystonia is defined as an involuntary contraction of the agonistic and antagonistic muscles, which can lead to repetitive involuntary movements and/or abnormal positions, most common in the hand (known as Focal Hand Dystonia). The affected population includes individuals who require repetitive movements on their regular daily life; one of the most affected populations are the musicians and professional writers [1]. In the European and American population Focal dystonia varies its prevalence between 3 and 29.5 per 100.000 inhabitants [1][2]. Inside musicians dystonia it is estimated that of all musicans, 0.5 % to 1% suffer from some form of focal dystonia [1][3]. This figures are highly variables if we individualize each case, depending on the instrument and the effort required on each performance; for instance the difference between a rhythm and a soloist guitar player.

Mechanism of Injury / Pathological Process
[edit | edit source]

Although the pathological process of Focal Dystonia is still classified as idiopathic, increasing evidence suggested a multifactorial etiology (e.g. [4] interaction between genetic, neuromuscular, auditory, neural adaptative, anatomic, stressful, repetitive, psychosocial, traumatic, among others). An alteration in tactile discrimation was found in dystonic musicians comparing with generalized dystonias and healthy controls; this has been related with the superposition of the areas of representation of the fingers affected in musicians [1][5]. Other etiological mechanisms are also described in further literature, for instance the alteration of inhibitory spinal, trunk, and intracortical  and alterations in sensorimotor integration. [1]

Many triggering factors have been described in current evidence, we can distinguish them as external and internal triggering factors, among the extrinsic some examples are the spatial, temporal and spatial contraints depending on the workload of the respective body part and the complexity of the movements used; for intrinsic triggering factors have been described the need of control, the need of perfectionism and anxiety, local pain, trauma, overuse and the deficit in inhibitory mechanisms; also predisposition factors have been considered such as genetics and sex; these triggering factors combined can affect the manifestation of Dystonia[6].

Clinical Presentation[edit | edit source]

Some examples of Focal dystonia are Cervical Dystonia, Musician's Dystonia, Writer's Dystonia, Spasmodic Dystonia, among others. Only Musicians and Writers Dystonia are going to be referenced.

Musician's Dystonia is manifested by a loss of voluntary motor movement in repeatedly trained movements, this is a high disabling pathology that can end a musical career; it can be classified according to the instrument played and the movement extensively performed, normally it occurs without pain although aching as been described after prolonged spasms.[6] This loss of muscles coordination is often accompannied by a co-contraction of the antagonist ones[6].

Writer's Dystonia or Writer's cramp can be also be manifested by uncontrollable muscle contractions and abnormal postures of the whole upper limb during writing, also tremor and spasms of the hand can occur.

Diagnostic Procedures[edit | edit source]

add text here relating to diagnostic tests for the condition

Outcome Measures[edit | edit source]

Motor control and ADL scales

Management / Interventions
[edit | edit source]

  • Botulin Toxin [7]
  • Surgery 
  • Ergonomic changes at the instrument (Musician's dystonia)
  • Immobilization [8]
  • Behavioral training [9][4]

Physiotherapy:[edit | edit source]

  • -TENS [10]
  • -Sensomotor Training [5]
  • -Muscle Strengthening
  • -Stretching
  • -Relaxation Techniques
  • -Home exercises [4]

Differential Diagnosis
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add text here relating to the differential diagnosis of this condition

Recent Related Research (from Pubmed)[edit | edit source]

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References[edit | edit source]

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  1. 1.0 1.1 1.2 1.3 1.4 Aranguiz, R., Chana-Cuevas, P., Alburquerque, D., &amp;amp;amp;amp;amp;amp;amp;amp; Leon, M. (2011). Focal dystonia in musicians. Neurologia, 26(1), 45-52. doi: 10.1016/j.nrl.2010.09.019
  2. Defazio, G., Abbruzzese, G., Livrea, P., &amp;amp;amp;amp;amp;amp;amp; Berardelli, A. (2004). Epidemiology of primary dystonia. Lancet Neurol, 3(11), 673-678. doi: 10.1016/s1474-4422(04)00907-x
  3. Jabusch, H. C., Zschucke, D., Schmidt, A., Schuele, S., &amp;amp;amp;amp;amp;amp;amp; Altenmuller, E. (2005). Focal dystonia in musicians: treatment strategies and long-term outcome in 144 patients. Mov Disord, 20(12), 1623-1626. doi: 10.1002/mds.20631
  4. 4.0 4.1 4.2 Byl, N. N., Archer, E. S.; McKenzie, A. (2009). Focal hand dystonia: effectiveness of a home program of fitness and learning-based sensorimotor and memory training. J Hand Ther, 22(2), 183-197; quiz 198. doi: 10.1016/j.jht.2008.12.003
  5. 5.0 5.1 Byl, N. N., Nagajaran, S., &amp;amp;amp;amp;amp;amp;amp;amp; McKenzie, A. L. (2003). Effect of sensory discrimination training on structure and function in patients with focal hand dystonia: a case series. Arch Phys Med Rehabil, 84(10), 1505-1514.
  6. 6.0 6.1 6.2 Altenmuller, E., &amp;amp;amp;amp; Jabusch, H. C. (2010). Focal dystonia in musicians: phenomenology, pathophysiology, triggering factors, and treatment. Med Probl Perform Art, 25(1), 3-9.
  7. Ceballos-Baumann, A. O., Sheean, G., Passingham, R. E., Marsden, C. D., &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp; Brooks, D. J. (1997). Botulinum toxin does not reverse the cortical dysfunction associated with writer's cramp. A PET study. Brain, 120 ( Pt 4), 571-582.
  8. Priori, A., Pesenti, A., Cappellari, A., Scarlato, G., &amp;amp;amp;amp;amp;amp;amp; Barbieri, S. (2001). Limb immobilization for the treatment of focal occupational dystonia. Neurology, 57(3), 405-409 (abstract only)
  9. Berque, P., Gray, H., Harkness, C., &amp;amp;amp;amp;amp;amp;amp; McFadyen, A. (2010). A combination of constraint-induced therapy and motor control retraining in the treatment of focal hand dystonia in musicians. Med Probl Perform Art, 25(4), 149-161 (abstract only).
  10. Tinazzi, M., Zarattini, S., Valeriani, M., Stanzani, C., Moretto, G., Smania, N., . . . Abbruzzese, G. (2006). Effects of transcutaneous electrical nerve stimulation on motor cortex excitability in writer's cramp: neurophysiological and clinical correlations. Mov Disord, 21(11), 1908-1913. doi: 10.1002/mds.21081